The portrayal of female characters in anime and manga is a complex discussion, not only because of the various tropes that exist but also because of the cultural perspectives through which they must be filtered and digested. While the subject of female characters in anime and manga is not as frequently written about as other popular entertainment Oversexualization of women in anime as LOTR or Game of Thrones here at The Mary Sue or even in North America overall, it nonetheless has become a topic of discussion not only by the Japanese consumers but also by those who, like myself, have only a limited but enthusiastic experience of watching anime and reading manga and would want further discussion of the subject.
In order to explore the magnitude of anime with essential female characters, a general understanding of genres involving female characters comes in handy. Both can encompass romantic plots, but romance can exist as its own genre.
Anime Oversexualization of women in anime manga tend to fit into more than one genre and are not only organized by subject but age group.
However, because of this, it is understandable that certain character traits would be more prominent in one genre than another.
It also deals with friendship and personal development.
An older popular one is Fruit Baskets. Of course, the lines often blur in terms of which genre a manga can go into, but nonetheless such genres are a reason why female character tropes, some more positive than others, become prominent in the work.
So what does this mean for female characters? Well, as certain characteristics are visible in dramas or sitcoms, the protagonists of josei and shoujo, or any genre in general, have relatable but sometimes simple personalities: Sometimes, this can lead to a development of strong, admirable female characters with interesting development, but it can also lead to oversimplification, sexualization, and objectification as well.
A case study would be two stories created Oversexualization of women in anime CLAMP, an all-female mangaka group who have been in the industry for many, many years.
Cardcaptor Oversexualization of women in anime is about a girl, Sakura, who opens a book that contain magical cards, Clow Cards, that scatter across her hometown.
Her job Oversexualization of women in anime to get these cards back. This magical adventure is a comedy and a romance, but overall, you get a sense of a "Oversexualization of women in anime," brave, goodhearted girl who you watch grow as a person.
Chobits is about a guy who finds a persocon, a human-like robot, in the trash. But in order to turn her on, literally, he has to push the switch located at her crotch. So how does an all-female mangaka group make a strong female character like Sakura while at the same time have characters that are essentially seen as sexual objects? One story inspires young girls while the other fulfills certain fantasies. While Western social values of women are shifting towards equality, we have not yet completely resolved problems such as undesired sexualization or objectification.
However we are recognizing them as issues and are working towards resolving them. Therefore, we are seeing the objectification and sexualization as an issue through our perspective. How do Japanese women and anime and manga consumers see and interpret this sexualization? Earlier this year, a Japanese Twitter user ykhre tweeted a controversial essay in making a case about the problematic sexism in a popular manga and anime, One Piece.
While she was not looking to disrespect the series, she nonetheless highlighted issues of underlying themes. She criticized the background of the male characters, the weakening of male characters when they were drawn as female characters, and how the women characters are portrayed to be uninteresting and weak. So Japanese netizens responded.
There was a wide spectrum of comments, from agreement to indifference to attacking ykhre, which can be read on Rocket News Despite that, ykhre has a legitimate concern. The portrayal of women in anime and manga is indeed a topic of conversation, but how it relates to or reflects the role of women and the extent of sexism in Japanese society is a bigger and even more complex discussion.
The school uniform is the topic of debate. Does the uniform represent her being sexualized and submitting to her situation, or does it show empowerment through her willingness to wear it and get over the embarrassment of doing so?
Despite criticisms of the latest Sailor Moonthe essential core message of the series has and remains valuable. Girl power, regardless of how feminine or tomboyish a girl is, is illustrated as something to be appreciated and proud of.
While romance is one of many threads in "Oversexualization of women in anime" story, the series should be recognized for how progressive it was for its time and still has value in empowering girls to be whoever they want to be. Despite their differences in personality, behind a soft and quiet nature or a willful and proud one, and regardless of age and world setting, Miyazaki made his protagonists characters to appreciate and celebrate because they were not sexualized and minimized through romance.
Rather, these characters were able to overcome insecurities and fears as a way to protect what and who they care about.
So we arrive here, having started with a curious look at the portrayal of women in anime and manga and arriving at a sorrowfully inconclusive but hopefully informative end. While the discussion warrants a chapter in a book, a whole book, or shelves books devoted to the nuances of the topic, hopefully this has provided a useful insight in understanding that women in anime and manga is a complex, varied topic that grows and changes time.